In this episode of “A Conversation With,” I sat down with Angel Devilishly, better known as the “The Angel.” She is a film composer in Hollywood, and that’s not something that you often hear of a female film composer and scorer. If you have decided that that’s the road you want to take as far as film scoring engineering, anything like that, this is the perfect guest for you.

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Angel Devilishly BIO

Brooklyn native, composer, The Angel has combined her early skills as an electronic music record producer, recording artist, and remixer to become one of a handful of women to have scored studio and independent features as well as network and cable T.V. Pioneering an eclectic sound, The Angel has been tapped to bring fresh sensibilities to her film and T.V. score, since relocating to L.A. from her adoptive city of London. As a composer, The Angel has created cutting edge scores for feature films like BOILER ROOM and U.K. cult hit, KiDULTHOOD, as well as hybrid organic/traditional score for T.V. series including the FOX FBI drama STANDOFF, the TNT Jada Pinkett Smith medical drama HAWTHORNE, and Ava DuVernay’s DOJ, themed CBS pilot FOR JUSTICE to name a few.

Submit Your Short Film: The Film Collective

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